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OKAY!! You're a Rock Star!!

So you've got yourself a band, and you've got yourself a microphone and you've got yourself a PA and now you've got some gigs!! Now whadaya do?

Sure you know how to sing, but do you really know how to use that microphone? Following are some tried and true techniques that will never let you down:

1.    Placement of your mic is crucial! Ideally your mic should be placed so that when you walk up to it, it hits you right about at chin level. Of course if you hold your mic in your hand or use a headset, then it's always at chin level. The reason this is important is because you want your head to be in a position that is optimal to singing - i.e. looking straight ahead, chin slightly down - this relaxes the muscles at the back of the throat and helps facilitate the sound to go up into your head where it can resonate more easily).

- If you're into hard rock with lots of guttural sounds and screaming and the like, then you'll get more mileage out of placing your mic a little lower (about 3 to 4 inches below chin level), so that you have to lean into it a little - this sets you up with a nice natural and resilient support system and will help you get the power that you want in your vocals. This is especially useful if you happen to play guitar while you're singing - it also gets the guitar a little away from your body so that you can take in more air and support it more efficiently.

2.    Be mindful of how close your mouth is to the mic! If you're singing soft, ballad-y kinds of tunes then you'll want your lips touching the mic most of the time. This not only keeps you relative to the mic (i.e. you know where your mic is at all times) but also will help to pick up subtle nuances in your vocals better than if you're standing a foot away.

3.    Similarly, if you know you're going to be singing loud or screaming - BACK OFF!! Being a foot away from your mic for extremely loud, high notes or passages is not out of the question, and unless you have the privilege of having a super attentive sound guy at your disposal, if you sing or scream too loud into the mic you at least run the risk of sounding really crappy, or if you have cheap speakers, blowing them out. Of course if you have a really groovy board like I do, you'll simply succeed in it muting your channel so that no one will hear anything you do from that point forward until you figure out that your channel is muted. Bummer!!

4.    This one is a no brainer - never, never ever point your mic at a speaker, unless you like the sound of feedback (which also isn't good for the speaker) and want to make your audience run screaming for the hills.

5.    Also, one way you can avoid feedback from your monitors on stage is to make sure that your monitors are at a 45 degree angle to your mics at all times (this is why most speakers which are specifically to be used as monitors are already angled). Adjust accordingly.

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